Biennale Gherdëina 5
22.07 – 11.09.2016
FROM HERE TO ETERNITY
Curated by
Adam Budak
Concept
FROM HERE TO ETERNITY (THAT’S WHERE SHE TAKES ME) – Without an eternity, without a sensitive, secret mirror of what passes through every soul, universal history is lost time, and along with it our personal history – which rather uncomfortably makes ghosts of us.[1]
Jorge Luis Borges, A History of Eternity, 1936
Read moreCurator
Adam Budak was born in Poland in 1966. He studied Theatre Studies and Philosophy in Kraków (Poland), as well as Art History in Prague (Czech Republic) and Colchester (England). In addition to his work as a guest lecturer at the Art Academy in Ghent (Belgium) and at the Jagiellonian University in Kraków, Budak worked as a curator at various international art institutions: from 1998 to 2003 at the exhibition house Bunkier Sztuki in Kraków, from 2003 to 2011 at the Kunsthaus Graz, from 2012 to 2013 at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. (USA), and from 2014 as Artistic Director of the National Gallery in Prague.
Biennale Gherdëina 5
FROM HERE TO ETERNITY (THAT’S WHERE SHE TAKES ME) – Without an eternity, without a sensitive, secret mirror of what passes through every soul, universal history is lost time, and along with it our personal history – which rather uncomfortably makes ghosts of us.[1]
Jorge Luis Borges, A History of Eternity, 1936
The eternity – as the Argentine master of labyrinths and mirrors, Jorge Luis Borges explains to us – is the model and archetype of time. It is a game or a spent hope, the writer argues in his non-fiction A History of Eternity, while deconstructing Plato’s time as a moving image of eternity and unfolding Plotinus’s understanding of eternity as a world of universal forms. For Borges, nostalgia is a model of unanimous eternity: ‘The exile who with melting heart remembers his expectations of happiness sees them sub specie aeternitatis [under the aspect of eternity], completely forgetting that the achievement of one of them would exclude or postpone all the others. In passion, memory inclines towards the intemporal. We gather up all the delights of a given past in a single image; the diversely red sunsets I watch every evening will in memory be a single sunset. The same is true of foresight: nothing prevents the most incompatible hopes from peacefully coexisting. To put it differently: eternity is the style of desire. (The particular enjoyment that enumeration yields may plausibly reside in its insinuation of the eternal – the immediata et lucida fruitio rerum infinitarum.)’[2] According to Susan Stewart, the author of On Longing,[3] The location of desire, or, more particularly, the direction of force in the desiring narrative, is always a future-past, a deferment of experience in the direction of origin and thus eschaton, the point where narrative begins\ends, with engendering and transcending the relation between materiality and meaning.
[1] Borges, Jorge Luis, ‘A History of Eternity’, in Borges, Jorge Luis, The Total Library. Non-Fiction 1922-1986, Penguin Classics, London 2000.
[2] Borges, op. cit. p. 136.
[3] Stewart Susan, On Longing, Duke University Press, Durham NC 1993.
Venues
Pedestrian Zone
Via Rezia 2-59
Circolo Artistico e Culturale
Via Rezia 102
Container
Via Rezia 102
Team
Doris Ghetta – Director • Igor Comploi – Production manager • Eva von Ingram Harpf – Projectmanager • Willi Crepaz – Productions • Victoria Dejaco – Curatorial Department • Dall’O & friends – Graphic • Simon Perathoner – Photographer
Supporters
The Biennale Gherdëina would like to thank the institutions, all its loyal supporters, and the friends of the Biennale, whose support makes the realisation of this event, its side programmes and all its activities possible.
Organizer & Supporters
Municipality of Ortisei – Major Tobia Moroder • Tourism Association Ortisei – President Ambros Hofer, Director Beatrix Insam
Supporters
Autonomous Region Trentino-Südtirol • Autonomous Province of Bolzano • Provinzia Autonoma de Balsan - Cultura Ladina • Municipalities of Val Gardena • Tourism Association of Dolomites/Val Gardena • Stiftung Südtiroler Sparkasse / Fondazione Cassa di Risparmio
Sponsor
Atelier 3DW • Adler Spa Resorts & Lodges • Assiconsult International Insurance Broker • Barth building interior architecture • Finstral • Hartmann Hotels • Karl Pichler • Pichler Steel structures & Facades • Raiffeisen Gherdëina • Raiffeisen Ciastel - Urtijëi • Schweigkofler • Socrep
Tecnical Sponsor
Arthotel Anterleghes • Beton Eisack • Gebr. F.lli Ciechi
Friends of Biennale Gherdëina
Arthotel Anterleghes – Selva • Cafe Corso – Ortisei • Baufirma Geom. Martin Gebhard – Lajon • Beton Eisack – Chiusa • F.lli. Ciechi – Ortisei • Carletto Senoner – Selva • Farmacia Sella – Ortisei • Hotel Engel– Ortisei • Hotel Gardena – Ortisei • Hotel Genziana – Ortisei • Rabanser Getränke – Ortisei