{"id":4082,"date":"2026-07-24T14:47:05","date_gmt":"2026-07-24T14:47:05","guid":{"rendered":"https:\/\/www.biennalegherdeina.org\/en\/?p=4082"},"modified":"2026-09-30T14:54:21","modified_gmt":"2026-09-30T14:54:21","slug":"konzert-mit-der-sudtiroler-percussion-gruppe-kontakt","status":"publish","type":"post","link":"https:\/\/www.biennalegherdeina.org\/en\/konzert-mit-der-sudtiroler-percussion-gruppe-kontakt\/","title":{"rendered":"Concert by the South Tyrolean percussion group konTakt"},"content":{"rendered":"

On the evening of 24 July, Biennale Gherd\u00ebina 10 \u2013 (Future) Paradise Gardens<\/em>, as part of its public programme, invites audiences to a concert by the percussion group konTakt at Piazza Rezia, in front of Bar Soviso, in Ortisei.<\/p>\n

The South Tyrolean percussion ensemble, featuring musicians Georg Malfertheiner, Manfred Gampenrieder, Philipp H\u00f6ller, and Christian Miglioranza, with the support of Rainer Furthner and Tobias Gasser, will perform Wolfgang Rihm\u2019s monumental work TUTUGURI VI (Kreuze)<\/em>.<\/p>\n

Inspired by a poem by Antonin Artaud, Tutuguri VI<\/em> by German composer Wolfgang Rihm is considered one of the most radical and physically intense works of contemporary music. Conceived not only as a piece for six percussionists but also as a form of ritual sound theatre, the work transforms music into a physical and psychological experience at the limits of perception.<\/p>\n

The piece lasts approximately 35 minutes and is written for six percussionists positioned spatially around the performance area. The instrumentation consists almost entirely of drums, tom-toms, congas, bass drums, slit drums, cymbals, and tam-tams; pitched percussion instruments are largely absent. The result is music without conventional pitches, driven entirely by rhythm and energy.<\/p>\n

The concert is part of the public programme of Biennale Gherd\u00ebina 10 \u2013 (Future) Paradise Gardens<\/em>, curated by Samuel Leuenberger. Throughout the summer, the programme activates Val Gardena and the Biennale\u2019s exhibition sites, inviting visitors to engage with contemporary art through a variety of experiences.<\/p>\n","protected":false},"excerpt":{"rendered":"

On the evening of 24 July, Biennale Gherd\u00ebina 10 \u2013 (Future) Paradise Gardens, as part of its public programme, invites audiences to a concert by the percussion group konTakt at Piazza Rezia, in front of Bar Soviso, in Ortisei. The South Tyrolean percussion ensemble, featuring musicians Georg Malfertheiner, Manfred Gampenrieder, Philipp H\u00f6ller, and Christian Miglioranza, […]<\/p>\n","protected":false},"author":2,"featured_media":4087,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_en_post_content":"

On the evening of 24 July, Biennale Gherd\u00ebina 10 \u2013 (Future) Paradise Gardens<\/em>, as part of its public programme, invites audiences to a concert by the percussion group konTakt at Piazza Rezia, in front of Bar Soviso, in Ortisei.<\/p>\r\n

The South Tyrolean percussion ensemble, featuring musicians Georg Malfertheiner, Manfred Gampenrieder, Philipp H\u00f6ller, and Christian Miglioranza, with the support of Rainer Furthner and Tobias Gasser, will perform Wolfgang Rihm\u2019s monumental work TUTUGURI VI (Kreuze)<\/em>.<\/p>\r\n

Inspired by a poem by Antonin Artaud, Tutuguri VI<\/em> by German composer Wolfgang Rihm is considered one of the most radical and physically intense works of contemporary music. Conceived not only as a piece for six percussionists but also as a form of ritual sound theatre, the work transforms music into a physical and psychological experience at the limits of perception.<\/p>\r\n

The piece lasts approximately 35 minutes and is written for six percussionists positioned spatially around the performance area. The instrumentation consists almost entirely of drums, tom-toms, congas, bass drums, slit drums, cymbals, and tam-tams; pitched percussion instruments are largely absent. The result is music without conventional pitches, driven entirely by rhythm and energy.<\/p>\r\nThe concert is part of the public programme of Biennale Gherd\u00ebina 10 \u2013 (Future) Paradise Gardens<\/em>, curated by Samuel Leuenberger. Throughout the summer, the programme activates Val Gardena and the Biennale\u2019s exhibition sites, inviting visitors to engage with contemporary art through a variety of experiences.","_en_post_name":"konzert-mit-der-sudtiroler-percussion-gruppe-kontakt","_en_post_excerpt":"","_en_post_title":"Concert by the South Tyrolean percussion group konTakt","_it_post_content":"La sera del 24 luglio, Biennale Gherd\u00ebina 10 \u2013 <\/span>(Future) Paradise Gardens<\/span><\/i> invita il pubblico a un concerto del gruppo di percussioni altoatesino <\/span>conTakt<\/span><\/i> in Piazza Resia a Ortisei (di fronte al bar Soviso), nell\u2019ambito del suo programma pubblico.<\/span>\u00a0<\/span>\r\n\r\nL\u2019ensemble di percussioni composto da Georg Malfertheiner, Manfred Gampenrieder, Philipp H\u00f6ller e Christian Miglioranza, con il supporto di Rainer Furthner e Tobias Gasser, si confronter\u00e0 con la monumentale composizione <\/span>TUTUGURI VI (Croci) <\/span><\/i>di Wolfgang Rihm.<\/span>\u00a0<\/span>\r\n\r\nTutuguri VI<\/span><\/i> trae ispirazione da una poesia di Antonin Artaud ed \u00e8 considerata una delle creazioni pi\u00f9 radicali e fisicamente intense della musica contemporanea. Pi\u00f9 che un semplice brano per sei percussionisti, si tratta di un autentico teatro sonoro rituale, nel quale la musica si configura come un'esperienza liminale, al tempo stesso corporea e psichica.\u00a0<\/span>\u00a0<\/span>\r\n\r\nL'opera, della durata di circa trentacinque minuti, \u00e8 concepita per sei percussionisti disposti nello spazio. L'organico strumentale comprende quasi esclusivamente tamburi, tom-tom, congas, grancassa, wood blocks, piatti e tam-tam, mentre gli strumenti a percussione intonati sono pressoch\u00e9 del tutto assenti. Ne deriva una scrittura musicale che non si basa su altezze definite e riconoscibili, ma su ritmo e forza del gesto percussivo.<\/span>\u00a0<\/span>\r\n\r\nIl concerto si inserisce nel programma di eventi pubblici di Biennale Gherd\u00ebina 10 \u2013 <\/span>(Future) Paradise Gardens<\/span><\/i>, curata da Samuel Leuenberger. Durante i mesi estivi, questo programma anima la Val Gardena e le sedi espositive della Biennale, invitando il pubblico ad avvicinarsi all\u2019arte contemporanea attraverso esperienze molteplici e diverse forme di partecipazione.<\/span>\u00a0<\/span>\r\n\r\n ","_it_post_name":"concerto-del-gruppo-di-percussioni-altoatesino-contakt","_it_post_excerpt":"","_it_post_title":"Concerto del gruppo di percussioni altoatesino conTakt","_de_post_content":"Am Abend des 24. Juli l\u00e4dt die Biennale Gherd\u00ebina 10 \u2013 <\/span>(Future) Paradise Gardens,<\/span><\/i> im Rahmen ihres Publikums-Programms zu einem Konzert der Percussion-Gruppe k<\/span>onTakt,<\/span><\/i> am Rezia Platz, vor der Bar Soviso, in St.Ulrich ein.<\/span>\r\n\r\nDas S\u00fcdtiroler Schlagwerkensemble, rund um die Musiker Georg Malfertheiner, Manfred Gampenrieder, Philipp H\u00f6ller, Christian Miglioranza unterst\u00fctzt von Rainer Furthner und Tobias Gasser stellt sich dem monumentalen St\u00fcck <\/span>TUTUGURI VI (Kreuze)<\/span><\/i> von Wolfgang Rihm.<\/span>\r\n\r\nDas Werk <\/span>Tutuguri VI <\/span><\/i>des deutschen Komponisten <\/span>Wolfgang Rihm<\/span><\/i>, inspiriert von einem Gedicht von <\/span>Antonin Artaud<\/span><\/i>, geh\u00f6rt zu den radikalsten und k\u00f6rperlich intensivsten Werken der neueren Musik. Es ist nicht nur ein Werk f\u00fcr sechs Percussionisten, sondern auch ein rituelles Klangtheater gedacht, in dem Musik zur k\u00f6rperlich-psychische Grenzerfahrung wird.<\/span>\u00a0<\/span>\r\n\r\n\u00a0<\/span>\r\n\r\nDas Werk dauert ca. 35 Minuten und ist f\u00fcr sechs r\u00e4umlich angeordnete Schlagzeuger geschrieben. Die Instrumentarien bestehen fast ausschlie\u00dflich aus Trommeln, Tomtoms, Congas, gro\u00dfer Trommel, Holzschlitztrommeln, Becken und Tam-Tams; gestimmte Schlaginstrumente fehlen weitgehend. Dadurch entsteht eine Musik ohne eigentliche Tonh\u00f6hen, die ganz aus Rhythmus und Energie besteht. <\/span>\r\n\r\nDas Konzert gliedert sich in eine Reihe \u00f6ffentlicher Veranstaltungen der Biennale Gherd\u00ebina 10 \u2013 <\/span>(Future) Paradise Gardens, <\/span><\/i>kuratiert von Samuel Leuenberger, ein, die das Gr\u00f6dnertal und die Ausstellungsorte der Biennale \u00fcber die Sommermonate aktivieren und Besucher*innen dazu einladen, sich zeitgen\u00f6ssischer Kunst \u00fcber verschiedene Erfahrungen anzun\u00e4hern. <\/span>","_de_post_name":"konzert-mit-der-sudtiroler-percussion-gruppe-kontakt","_de_post_excerpt":"","_de_post_title":"Konzert mit der S\u00fcdtiroler Percussion-Gruppe konTakt","_ld_post_content":"Am Abend des 24. Juli l\u00e4dt die Biennale Gherd\u00ebina 10 \u2013 <\/span>(Future) Paradise Gardens,<\/span><\/i> im Rahmen ihres Publikums-Programms zu einem Konzert der Percussion-Gruppe k<\/span>onTakt,<\/span><\/i> am Rezia Platz, vor der Bar Soviso, in St.Ulrich ein.<\/span>\r\n\r\nDas S\u00fcdtiroler Schlagwerkensemble, rund um die Musiker Georg Malfertheiner, Manfred Gampenrieder, Philipp H\u00f6ller, Christian Miglioranza unterst\u00fctzt von Rainer Furthner und Tobias Gasser stellt sich dem monumentalen St\u00fcck <\/span>TUTUGURI VI (Kreuze)<\/span><\/i> von Wolfgang Rihm.<\/span>\r\n\r\nDas Werk <\/span>Tutuguri VI <\/span><\/i>des deutschen Komponisten <\/span>Wolfgang Rihm<\/span><\/i>, inspiriert von einem Gedicht von <\/span>Antonin Artaud<\/span><\/i>, geh\u00f6rt zu den radikalsten und k\u00f6rperlich intensivsten Werken der neueren Musik. Es ist nicht nur ein Werk f\u00fcr sechs Percussionisten, sondern auch ein rituelles Klangtheater gedacht, in dem Musik zur k\u00f6rperlich-psychische Grenzerfahrung wird.<\/span>\u00a0<\/span>\r\n\r\n\u00a0<\/span>\r\n\r\nDas Werk dauert ca. 35 Minuten und ist f\u00fcr sechs r\u00e4umlich angeordnete Schlagzeuger geschrieben. Die Instrumentarien bestehen fast ausschlie\u00dflich aus Trommeln, Tomtoms, Congas, gro\u00dfer Trommel, Holzschlitztrommeln, Becken und Tam-Tams; gestimmte Schlaginstrumente fehlen weitgehend. Dadurch entsteht eine Musik ohne eigentliche Tonh\u00f6hen, die ganz aus Rhythmus und Energie besteht. <\/span>\r\n\r\nDas Konzert gliedert sich in eine Reihe \u00f6ffentlicher Veranstaltungen der Biennale Gherd\u00ebina 10 \u2013 <\/span>(Future) Paradise Gardens, <\/span><\/i>kuratiert von Samuel Leuenberger, ein, die das Gr\u00f6dnertal und die Ausstellungsorte der Biennale \u00fcber die Sommermonate aktivieren und Besucher*innen dazu einladen, sich zeitgen\u00f6ssischer Kunst \u00fcber verschiedene Erfahrungen anzun\u00e4hern. <\/span>","_ld_post_name":"konzert-mit-der-sudtiroler-percussion-gruppe-kontakt","_ld_post_excerpt":"","_ld_post_title":"Konzert mit der S\u00fcdtiroler Percussion-Gruppe konTakt","edit_language":"en","footnotes":""},"categories":[1],"tags":[],"class_list":["post-4082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/posts\/4082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/comments?post=4082"}],"version-history":[{"count":8,"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/posts\/4082\/revisions"}],"predecessor-version":[{"id":4091,"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/posts\/4082\/revisions\/4091"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/media\/4087"}],"wp:attachment":[{"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/media?parent=4082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/categories?post=4082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/en\/wp-json\/wp\/v2\/tags?post=4082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}