{"id":4065,"date":"2026-08-31T07:15:37","date_gmt":"2026-08-31T07:15:37","guid":{"rendered":"https:\/\/www.biennalegherdeina.org\/en\/?p=4065"},"modified":"2026-08-26T14:25:54","modified_gmt":"2026-08-26T14:25:54","slug":"finissage-future-paradise-gardens","status":"publish","type":"post","link":"https:\/\/www.biennalegherdeina.org\/ld\/finissage-future-paradise-gardens\/","title":{"rendered":"","raw":""},"content":{"rendered":"

Dum\u00ebnia 13 de set\u00ebmber, n ucajion dla finissage de <\/span>(Future) Paradise Gardens, <\/span><\/i>la diejejima edizion dla Bienela Gherd\u00ebina cureda da Samuel Leuenberger, stlujer\u00e0 ju cun n di dedic\u00e0 al paesaje, si dimenscion culturela y tlimatica y per si capazit\u00e0 de purt\u00e9 a lum formes nueves che se met n relazion ala comunit\u00e0. I vijitad\u00ebures ie nviei de pass\u00e9 duta la dum\u00ebnia te Gherd\u00ebina tulan l’ucajion de se cunfrunt\u00e9 in\u00f2 cun l cunzet y i l\u00ebures de (Futur) Paradise Gardens.<\/span><\/p>\n

L di scum\u00ebncia <\/span>dala 11.00 sa Pilat<\/span><\/b>, (ulache n ruva su m\u00e9 a pe, te 40 menuc, pian via dal z\u00ebnter de Urtij\u00ebi) cun n talk ulache l fajer\u00e0 pea l architet dl paesaje y artista dla Bienela <\/span>Bas Smets<\/span><\/b> y l aut\u00ebur <\/span>Vartan Karapetian<\/span><\/b>, cun la muderazion dla ex Ministra per la Cultura taliana y presid\u00ebnta atuela dla Human Foundation, <\/span>Giovanna Melandr<\/span><\/b>i. La m\u00ebisa turonda esplurer\u00e0 <\/span>l raport danter paesaje, memoria, biodiversit\u00e0 y l mudam\u00ebnt tlimatich<\/span><\/b>, fajan n dialogh danter pratiches artistiches, proietazion dla cuntredes y patrimone culturel, <\/span>per pens\u00e9 do sun la trasfurmazions di ecosistems y sun la manieres de se nmagin\u00e9 y stravard\u00e9 i luesc ulache n\u00ebus vivon.<\/span><\/b>\u00a0<\/span><\/p>\n

L’ancunteda sar\u00e0 na ucajion per j\u00ec plu sot tla tematiches dla nrescida de Smets y <\/span>Degrees of Elevation<\/span><\/i>, la nstalazion che ie da ud\u00ebi ala Bienela Gherd\u00ebina. L proiet ie un\u00ec svilup\u00e0 dal dl’artist deberieda ala diret\u00ebura artistica Eliane Le Roux, aposta per l raion sa Pilat per nresc\u00ec la fazions dl mudam\u00ebnt tlimatich tla Elpes.<\/span>\u00a0<\/span><\/p>\n

Pra la m\u00ebisa turonda saral nce la prima prejentazion a livel europeich de T<\/span>he English Park, An Ecology of Memory<\/span><\/i> in Yerevan, publicheda da Armenian Arts Council Editions, cun la prej\u00ebnza dl aut\u00ebur Vartan Karapetian. L liber tol tres la storia y l patrimone culturel dl English Park de Yerevan tulan ite cuntribuc de Norbert Peeters, Aram Pachyan y Marina Haroyan. La publicazion ie stata fata n ucajion dla <\/span>United Nations Biodiversity Conference<\/span><\/i>, l ancunteda nternaziunela dedicheda ala biodiversit\u00e0, che sar\u00e0 a Yerevan dai 19 ai 30 de utober 2026.<\/span>\u00a0<\/span><\/p>\n

L talk durer\u00e0 plu o manco 90 menuc. Per ruv\u00e9 pra la manifestazion muessen pi\u00eb via a pe da Urtij\u00ebi demez tulan l troi nr. 15, per ca. 40 menuc.<\/span>\u00a0<\/span><\/p>\n

Dala 15:00 00, l publich ie nvi\u00e0 a f\u00e9 pea debant pra l’ultima vijita meneda tla s\u00ebntes de espusizion dla Bienela a Urtij\u00ebi.<\/span><\/b> La vijita scumencer\u00e0 dal Info Point tla Sala Trenker y durer\u00e0 plu o manco 90 menuc.<\/span>\u00a0<\/span><\/p>\n

L di se stlujer\u00e0 ju, <\/span>dala 17:00 ala 19: 00, pra la nstalazion<\/span><\/b> (Future) Paradise Gardens <\/span><\/i><\/b>sun Plaza Stetteneck a Urtij\u00ebi, cun na azion performativa dedicheda ala cundivijion y ala cuntinuit\u00e0 dl verzon.<\/span><\/b> L’architeta de paesaje <\/span>Eva-Maria Schgaguler<\/span><\/b> mener\u00e0 l publich tres la plantes dla nstalazion ora ti dajan pea una, se damandan da pert dl publich na pitla dunfierta per susten\u00ec l\u2019ativiteies dla <\/span>Vinzenzgemeinschaft<\/span><\/i> de Gherd\u00ebina. N gest simbolich de cundivijion y de cura che ti lascer\u00e0 pro ala plantes de j\u00ec inant sun si streda nce do la Bienela, trasfurman la nstalazion te na r\u00eb sterscia de relazions y respunsablteies. A ch\u00ebsta maniera dev\u00ebnta i vijitad\u00ebures che fej pea, i vardians dl daun\u00ec dl verzon dl paravis, persunifican la tematica dla Bienela Gherd\u00ebina 10, judan a ch\u00ebsta maniera dla trasfurm\u00e9 te realt\u00e0.<\/span>\u00a0<\/span><\/p>\n

Duc i apuntam\u00ebnc dl di dla finissage, la ntredes ala sales dla mostres y ala vijita meneda che ie dala 15:00, ai 13 de set\u00ebmber, ie debant. L ne v\u00ebn nia damand\u00e0 prenotazion.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\n

\u00a0<\/span>Bas Smets<\/span><\/b> (1975, Hasselt, Belgio) <\/span>viv y l\u00ebura danter Bruxelles y Paris. Bas ie l fundad\u00ebur dl studio de architetura dl paesaje Bureau Bas Smets y prufess\u00ebur tla Harvard Graduate School of Design. Si l\u00ebur va dai gran parcs publics nchin a z\u00ebntri storics, da nfrastrutures dl paesaje nchin a set cinematografics. L ie cunesci\u00f9 per av\u00ebi svilup\u00e0 ecologies urbanes nueves ulache la vegetazion, l fonz y l’ega fej nascer microclims che auza la resilienza dl ambient urban al mudam\u00ebnt dl tlima. Tl z\u00ebnter de si pratica iel truepa cunlaurazions cun scienziac y scienziates, artis\u0107 y artistes. N valgun proiec fai da perm\u00f2, ie l Parc des Atelier LUMA a Arles, la lueges publiches nt\u00ebur la Catedrela de Notre- Dames a Paris, che ie al mum\u00ebnt tl l\u00ebur de un\u00ec frabic\u00e0, y <\/span>Building Biospheres<\/span><\/i> dl padilion belga dla Bienela d’architetura de Unieja dl 2025 che ie stat svilup\u00e0 deberieda al neurobiologh Stefano Mancuso.<\/span>
\n\u00a0<\/span><\/p>\n

Vartan Karapetian, <\/span><\/b>storich d’ert y curad\u00ebur, nriej te si l\u00ebur la relazions danter ert, paesaje y memoria tres nrescides de archif, stories che ven cuntedes y proiec nterdisziplineres. Danter si ultima publicazions abinons, Haroutiun Galentz. The Form of Color (Skira), dedic\u00e0 al’opra dl artist armenian-libanesc <\/span>Haroutiun Galent<\/span><\/i>z, y <\/span>The English Park. An Ecology of Memory<\/span><\/i> in Yerevan (Armenian Arts Council Editions). <\/span>
\n\u00a0<\/span><\/p>\n

Giovanna Melandri<\/span><\/b> ie na manager y ex Minister dla Cultura dla Republica Taliana. Dal 2012 al 2022 iela stata presid\u00ebnta dla Fundazion MAXXI, dajan n cuntribut al svilup nternaziunel dl museum. \u00cbila ie fundad\u00ebura y presid\u00ebnta dla Human Foundation, na urganisazion che se d\u00e0 ju cun la prumozion dl’inuvazion soziela, dla finanza a mpat y dl svilup sustenibl. Bel da ani inc\u00e0 l\u00eburela pra la nterazion danter cultura, politica publica y inuvazion soziela, purtan inant la pert dla cultura coche motor de trasfurmazion dla soziet\u00e0.<\/span><\/p>\n

Eva-Maria Schgaguler<\/span><\/b> se nteressea dantaldut al raport danter la persones y l paesaje culturel y naturel, te si dimenscion storica y cuntemporana. Spartian i prinzips dla Cunvenzion europeica dl paesaje, nterpretea \u00ebila l carater de uni luech sciche n resultat de n dialogh danter fatores naturei y nterv\u00ebnc fai dala persones. Do av\u00ebi fat la laurea de tr\u00ebi ani de architetura dl paesaje tl’Universit\u00e0 de Genova, cun na tesi dedicheda ala scunanza di verzons storics, ala scumenci\u00e0 si esperienza prufesciunela tla BplusB a Amsterdam, se dajan ju cun proiec de zit\u00e0 y de lueges publiches. La \u00e0 nscila fat n master de architetura dl paesaje tl College of Art de Edinburgh, lauran ora na tesi n con’ di verzons dla Hofburg de Persenon. Dald\u00f2 ala laur\u00e0 adum cun Dolar Landscape a Persenon, se dajan ju cun la planificazion dl paesaje a livel cumunel. Dal 2010 al 2016 ala fat pert ala grupa de Studio Vulkan a Zurigo, fajan pea pra truep proiec de paesaje y pianificazions urbanistiches. Danter l 2017 y l 2019 ala laur\u00e0 tla Sn\u00f8hetta Studio a Dispruch coche project managerin, ti jan do, danter l auter, al proiet dl Swarovski Orchard a Wattens. Dal 2016 inc\u00e0 l\u00eburela coche architeta dl paesaje te si studio a S\u00ebuc dal Scilier, lauran ora proiec tla Talia, tl’Austria y tla Svizra. Uni proiet nasc do av\u00ebi scut\u00e0 su avisa l luech, se svilupan tres n pruzes che ie bon de m\u00ebter adum identit\u00e0, susteniblt\u00e0 y cualit\u00e0 estetica, ti dajan vita a sperses che ie scialdi nravisedes te si cuntest.<\/span>\u00a0<\/span><\/p>\n","protected":false,"raw":"Dum\u00ebnia 13 de set\u00ebmber, n ucajion dla finissage de <\/span>(Future) Paradise Gardens, <\/span><\/i>la diejejima edizion dla Bienela Gherd\u00ebina cureda da Samuel Leuenberger, stlujer\u00e0 ju cun n di dedic\u00e0 al paesaje, si dimenscion culturela y tlimatica y per si capazit\u00e0 de purt\u00e9 a lum formes nueves che se met n relazion ala comunit\u00e0. I vijitad\u00ebures ie nviei de pass\u00e9 duta la dum\u00ebnia te Gherd\u00ebina tulan l'ucajion de se cunfrunt\u00e9 in\u00f2 cun l cunzet y i l\u00ebures de (Futur) Paradise Gardens.<\/span>\r\n\r\nL di scum\u00ebncia <\/span>dala 11.00 sa Pilat<\/span><\/b>, (ulache n ruva su m\u00e9 a pe, te 40 menuc, pian via dal z\u00ebnter de Urtij\u00ebi) cun n talk ulache l fajer\u00e0 pea l architet dl paesaje y artista dla Bienela <\/span>Bas Smets<\/span><\/b> y l aut\u00ebur <\/span>Vartan Karapetian<\/span><\/b>, cun la muderazion dla ex Ministra per la Cultura taliana y presid\u00ebnta atuela dla Human Foundation, <\/span>Giovanna Melandr<\/span><\/b>i. La m\u00ebisa turonda esplurer\u00e0 <\/span>l raport danter paesaje, memoria, biodiversit\u00e0 y l mudam\u00ebnt tlimatich<\/span><\/b>, fajan n dialogh danter pratiches artistiches, proietazion dla cuntredes y patrimone culturel, <\/span>per pens\u00e9 do sun la trasfurmazions di ecosistems y sun la manieres de se nmagin\u00e9 y stravard\u00e9 i luesc ulache n\u00ebus vivon.<\/span><\/b>\u00a0<\/span>\r\n\r\nL'ancunteda sar\u00e0 na ucajion per j\u00ec plu sot tla tematiches dla nrescida de Smets y <\/span>Degrees of Elevation<\/span><\/i>, la nstalazion che ie da ud\u00ebi ala Bienela Gherd\u00ebina. L proiet ie un\u00ec svilup\u00e0 dal dl'artist deberieda ala diret\u00ebura artistica Eliane Le Roux, aposta per l raion sa Pilat per nresc\u00ec la fazions dl mudam\u00ebnt tlimatich tla Elpes.<\/span>\u00a0<\/span>\r\n\r\nPra la m\u00ebisa turonda saral nce la prima prejentazion a livel europeich de T<\/span>he English Park, An Ecology of Memory<\/span><\/i> in Yerevan, publicheda da Armenian Arts Council Editions, cun la prej\u00ebnza dl aut\u00ebur Vartan Karapetian. L liber tol tres la storia y l patrimone culturel dl English Park de Yerevan tulan ite cuntribuc de Norbert Peeters, Aram Pachyan y Marina Haroyan. La publicazion ie stata fata n ucajion dla <\/span>United Nations Biodiversity Conference<\/span><\/i>, l ancunteda nternaziunela dedicheda ala biodiversit\u00e0, che sar\u00e0 a Yerevan dai 19 ai 30 de utober 2026.<\/span>\u00a0<\/span>\r\n\r\nL talk durer\u00e0 plu o manco 90 menuc. Per ruv\u00e9 pra la manifestazion muessen pi\u00eb via a pe da Urtij\u00ebi demez tulan l troi nr. 15, per ca. 40 menuc.<\/span>\u00a0<\/span>\r\n\r\nDala 15:00 00, l publich ie nvi\u00e0 a f\u00e9 pea debant pra l'ultima vijita meneda tla s\u00ebntes de espusizion dla Bienela a Urtij\u00ebi.<\/span><\/b> La vijita scumencer\u00e0 dal Info Point tla Sala Trenker y durer\u00e0 plu o manco 90 menuc.<\/span>\u00a0<\/span>\r\n\r\nL di se stlujer\u00e0 ju, <\/span>dala 17:00 ala 19: 00, pra la nstalazion<\/span><\/b> (Future) Paradise Gardens <\/span><\/i><\/b>sun Plaza Stetteneck a Urtij\u00ebi, cun na azion performativa dedicheda ala cundivijion y ala cuntinuit\u00e0 dl verzon.<\/span><\/b> L'architeta de paesaje <\/span>Eva-Maria Schgaguler<\/span><\/b> mener\u00e0 l publich tres la plantes dla nstalazion ora ti dajan pea una, se damandan da pert dl publich na pitla dunfierta per susten\u00ec l\u2019ativiteies dla <\/span>Vinzenzgemeinschaft<\/span><\/i> de Gherd\u00ebina. N gest simbolich de cundivijion y de cura che ti lascer\u00e0 pro ala plantes de j\u00ec inant sun si streda nce do la Bienela, trasfurman la nstalazion te na r\u00eb sterscia de relazions y respunsablteies. A ch\u00ebsta maniera dev\u00ebnta i vijitad\u00ebures che fej pea, i vardians dl daun\u00ec dl verzon dl paravis, persunifican la tematica dla Bienela Gherd\u00ebina 10, judan a ch\u00ebsta maniera dla trasfurm\u00e9 te realt\u00e0.<\/span>\u00a0<\/span>\r\n\r\nDuc i apuntam\u00ebnc dl di dla finissage, la ntredes ala sales dla mostres y ala vijita meneda che ie dala 15:00, ai 13 de set\u00ebmber, ie debant. L ne v\u00ebn nia damand\u00e0 prenotazion.<\/span>\u00a0<\/span>\r\n\r\n\u00a0<\/span>\r\n\r\n

\r\n\r\n\u00a0<\/span>Bas Smets<\/span><\/b> (1975, Hasselt, Belgio) <\/span>viv y l\u00ebura danter Bruxelles y Paris. Bas ie l fundad\u00ebur dl studio de architetura dl paesaje Bureau Bas Smets y prufess\u00ebur tla Harvard Graduate School of Design. Si l\u00ebur va dai gran parcs publics nchin a z\u00ebntri storics, da nfrastrutures dl paesaje nchin a set cinematografics. L ie cunesci\u00f9 per av\u00ebi svilup\u00e0 ecologies urbanes nueves ulache la vegetazion, l fonz y l'ega fej nascer microclims che auza la resilienza dl ambient urban al mudam\u00ebnt dl tlima. Tl z\u00ebnter de si pratica iel truepa cunlaurazions cun scienziac y scienziates, artis\u0107 y artistes. N valgun proiec fai da perm\u00f2, ie l Parc des Atelier LUMA a Arles, la lueges publiches nt\u00ebur la Catedrela de Notre- Dames a Paris, che ie al mum\u00ebnt tl l\u00ebur de un\u00ec frabic\u00e0, y <\/span>Building Biospheres<\/span><\/i> dl padilion belga dla Bienela d'architetura de Unieja dl 2025 che ie stat svilup\u00e0 deberieda al neurobiologh Stefano Mancuso.<\/span>\r\n\u00a0<\/span>\r\n\r\nVartan Karapetian, <\/span><\/b>storich d'ert y curad\u00ebur, nriej te si l\u00ebur la relazions danter ert, paesaje y memoria tres nrescides de archif, stories che ven cuntedes y proiec nterdisziplineres. Danter si ultima publicazions abinons, Haroutiun Galentz. The Form of Color (Skira), dedic\u00e0 al'opra dl artist armenian-libanesc <\/span>Haroutiun Galent<\/span><\/i>z, y <\/span>The English Park. An Ecology of Memory<\/span><\/i> in Yerevan (Armenian Arts Council Editions). <\/span>\r\n\u00a0<\/span>\r\n\r\nGiovanna Melandri<\/span><\/b> ie na manager y ex Minister dla Cultura dla Republica Taliana. Dal 2012 al 2022 iela stata presid\u00ebnta dla Fundazion MAXXI, dajan n cuntribut al svilup nternaziunel dl museum. \u00cbila ie fundad\u00ebura y presid\u00ebnta dla Human Foundation, na urganisazion che se d\u00e0 ju cun la prumozion dl'inuvazion soziela, dla finanza a mpat y dl svilup sustenibl. Bel da ani inc\u00e0 l\u00eburela pra la nterazion danter cultura, politica publica y inuvazion soziela, purtan inant la pert dla cultura coche motor de trasfurmazion dla soziet\u00e0.<\/span>\r\n\r\nEva-Maria Schgaguler<\/span><\/b> se nteressea dantaldut al raport danter la persones y l paesaje culturel y naturel, te si dimenscion storica y cuntemporana. Spartian i prinzips dla Cunvenzion europeica dl paesaje, nterpretea \u00ebila l carater de uni luech sciche n resultat de n dialogh danter fatores naturei y nterv\u00ebnc fai dala persones. Do av\u00ebi fat la laurea de tr\u00ebi ani de architetura dl paesaje tl'Universit\u00e0 de Genova, cun na tesi dedicheda ala scunanza di verzons storics, ala scumenci\u00e0 si esperienza prufesciunela tla BplusB a Amsterdam, se dajan ju cun proiec de zit\u00e0 y de lueges publiches. La \u00e0 nscila fat n master de architetura dl paesaje tl College of Art de Edinburgh, lauran ora na tesi n con' di verzons dla Hofburg de Persenon. Dald\u00f2 ala laur\u00e0 adum cun Dolar Landscape a Persenon, se dajan ju cun la planificazion dl paesaje a livel cumunel. Dal 2010 al 2016 ala fat pert ala grupa de Studio Vulkan a Zurigo, fajan pea pra truep proiec de paesaje y pianificazions urbanistiches. Danter l 2017 y l 2019 ala laur\u00e0 tla Sn\u00f8hetta Studio a Dispruch coche project managerin, ti jan do, danter l auter, al proiet dl Swarovski Orchard a Wattens. Dal 2016 inc\u00e0 l\u00eburela coche architeta dl paesaje te si studio a S\u00ebuc dal Scilier, lauran ora proiec tla Talia, tl'Austria y tla Svizra. Uni proiet nasc do av\u00ebi scut\u00e0 su avisa l luech, se svilupan tres n pruzes che ie bon de m\u00ebter adum identit\u00e0, susteniblt\u00e0 y cualit\u00e0 estetica, ti dajan vita a sperses che ie scialdi nravisedes te si cuntest.<\/span>\u00a0<\/span>"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":2,"featured_media":4072,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_en_post_content":"On Sunday, 13 September, <\/span>(Future) Paradise Gardens,<\/span><\/i> the tenth edition of Biennale Gherd\u00ebina, curated by Samuel Leuenberger, will come to a close with a special day dedicated to the landscape\u2014exploring not only its climatic and ecological dimensions, but also its cultural significance and its potential to foster new forms of connection within the community. Visitors are invited to spend the day in Val Gardena, taking the opportunity to revisit the ideas and artworks at the heart of <\/span>(Future) Paradise Gardens.<\/span><\/i>\u00a0<\/span>\r\n\r\nThe day will begin at <\/span>11am at Pilat <\/span><\/b>(an outdoor location of Biennale Gherd\u00ebina 10, reachable only on foot by a 40 min. walk from Ortisei center)<\/span> with a talk <\/span><\/b>featuring landscape architect and Biennale artist <\/span>Bas Smets<\/span><\/b> and author <\/span>Vartan Karapetian<\/span><\/b>, moderated by <\/span>Giovanna Melandri<\/span><\/b>, former Italian Minister of Culture and current President of Human Foundation. The conversation will explore the <\/span>relationship between landscape, memory, biodiversity, and climate change, <\/span><\/b>bringing artistic practices, landscape architecture, and cultural heritage into dialogue to consider <\/span>how ecosystems are transforming and how we might imagine, preserve, and care for the places we inhabit.<\/span><\/b>\u00a0<\/span>\r\n\r\nThe discussion will offer an opportunity to further explore the ideas underpinning Smets\u2019 practice and <\/span>Degrees of Elevation<\/span><\/i>, his installation on view at Biennale Gherd\u00ebina in collaboration with Artistic Director Eliane Le Roux. Developed specifically for the Pilat site, the project examines the impact of climate change on the Alpine landscape.<\/span>\u00a0<\/span>\r\n\r\nThe roundtable will feature the European presentation of <\/span>The English Park, An Ecology of Memory in Yerevan, published<\/span><\/i> by Armenian Arts Council Editions, with the author Vartan Karapetian in attendance. The book traces the history and cultural heritage of Yerevan\u2019s English Park, bringing together contributions by Norbert Peeters, Aram Pachyan, and Marine Haroyan. The publication has been produced in conjunction with the <\/span>United Nations Biodiversity Conference<\/span><\/i>, the leading international forum dedicated to biodiversity, which will take place in Yerevan from 19 to 30 October 2026.<\/span>\u00a0<\/span>\r\n\r\nThe talk will last approximately 90 minutes. The visitors are required to reach the location on foot from Ortisei, with a 40 minutes walk along the trail nr. 15.\u00a0<\/span>\u00a0<\/span>\r\n\r\nAt 3pm, visitors are invited to join the final and free guided tour<\/span><\/b> of the Biennale\u2019s exhibition venues in the town of Ortisei.<\/span><\/b> The tour will depart from the Info Point at Sala Trenker and last approximately 90 minutes.<\/span>\u00a0<\/span>\r\n\r\nThe day will conclude <\/span>from 5 to 7pm at the <\/span><\/b>(Future) Paradise Gardens <\/span><\/i><\/b>installation in Plaza Stetteneck, Ortisei, with a performative action exploring the sharing, regeneration, and continuity of the garden. <\/span><\/b>Landscape architect <\/span>Eva-Maria Schgaguler<\/span><\/b> will invite visitors to take part in the distribution and adoption of the plants that make up the installation by Gartenwelt Platter, in exchange for a small donation supporting the charitable activities of Vinzenzgemeinschaft within the local community. This symbolic act of sharing and care will give the plants a life beyond the Biennale, extending the garden beyond the duration of the exhibition and transforming the finissage into a moment of continuity, collective care, and participation. In this way, visitors become custodians of the garden\u2019s future, giving tangible expression to the central idea of Biennale Gherd\u00ebina 10 and helping to carry it forward beyond the exhibition.<\/span>\u00a0<\/span>\r\n\r\nOn the occasion of the finissage, Sunday, 13 September 2026, admission to all Biennale Gherd\u00ebina exhibition venues will be free of charge.<\/span><\/b> The 3pm guided tour of the exhibition venues in Ortisei will also be free of charge<\/span><\/b>. No registration is required.<\/span>\u00a0<\/span>\r\n\r\n\u00a0<\/span>\r\n\r\n
\r\n\r\n\u00a0<\/span>\r\n\r\nBas Smets<\/span><\/b> (1975, Hasselt, Belgium) lives and works between Brussels and Paris. He is the founder of the landscape architecture studio Bureau Bas Smets and Professor in Practice at the Harvard Graduate School of Design. His work ranges from large public parks to historic city centres, from infrastructural landscapes to film sets. He is known for developing new urban ecologies in which vegetation, soil, and water generate microclimates that increase the resilience of the built environment to climate change. Collaborations with researchers and artists are at the core of his practice. Recent projects include the LUMA Parc des Ateliers in Arles, the public spaces around Notre-Dame Cathedral in Paris, currently under construction, and <\/span>Building Biospheres<\/span><\/i> for the Belgian Pavilion at the 2025 Venice Architecture Biennale, developed with neurobiologist Stefano Mancuso.<\/span>\u00a0<\/span>\r\n\r\nVartan Karapetian<\/span><\/b>, an art historian and curator, explores the intersections of art, landscape, and memory through archival research, oral histories, and interdisciplinary projects. His recent publications include <\/span>Haroutiun Galentz. The Form of Colour<\/span><\/i> (Skira), dedicated to the work of the Armenian-Lebanese artist Haroutiun Galentz, and <\/span>The English Park. An Ecology of Memory in Yerevan<\/span><\/i> (Armenian Arts Council Editions).<\/span>\u00a0<\/span>\r\n\r\nGiovanna Melandri<\/span><\/b> is a cultural manager and former Italian Minister of Culture. From 2012 to 2022, she served as President of the Fondazione MAXXI, where she played a key role in strengthening the institution\u2019s international profile. She is the founder and President of Human Foundation, an organisation dedicated to advancing social innovation, impact investing, and sustainable development. Her work lies at the intersection of culture, public policy, and social innovation, with a longstanding commitment to the role of culture as a catalyst for social change.<\/span>\u00a0<\/span>\r\n\r\nEva-Maria Schgaguler <\/span><\/b>is particularly interested in people and their relationship with the cultural and natural landscape, both past and present. In line with the European Landscape Convention, she sees the character of a place as the result of an ongoing dialogue between natural factors and human intervention. After completing her Bachelor\u2019s degree in Landscape Architecture at the University of Genoa, with a thesis dedicated to the conservation of historic gardens, she joined BplusB in Amsterdam, where she worked on urban and public space projects. She later obtained a Master\u2019s degree in Landscape Architecture from the Edinburgh College of Art, where her thesis focused on the redevelopment of the Hofburg Garden in Bressanone. After completing her master\u2019s degree, she collaborated with Dolar Landscape in Bressanone, working on landscape planning at the municipal scale. From 2010 to 2016, she was part of the Studio Vulkan team in Z\u00fcrich, contributing to a range of landscape and urban planning projects. Between 2017 and 2019, she worked at Sn\u00f8hetta Studio Innsbruck as a project manager, overseeing, among other projects, the Swarovski Orchard in Wattens. Since 2016, she has been working as an independent landscape architect with her own practice in Siusi allo Sciliar, developing projects across Italy, Austria and Switzerland. Each project begins with listening to the place and evolves into spaces that combine identity, sustainability and aesthetic quality.<\/span>\r\n\u00a0<\/span>","_en_post_name":"finissage-future-paradise-gardens","_en_post_excerpt":"","_en_post_title":"Finissage (Future) Paradise Gardens","_it_post_content":"Domenica 13 settembre, in occasione del finissage di <\/span>(Future) Paradise Gardens, <\/span><\/i>la decima edizione di Biennale Gherd\u00ebina a cura di Samuel Leuenberger si conclude con una giornata dedicata al paesaggio, alla sua dimensione culturale oltre che climatica e alla sua capacit\u00e0 di generare nuove forme di relazione all\u2019interno della comunit\u00e0.\u00a0<\/span> I visitatori sono invitati a trascorrere l\u2019intera domenica in Val Gardena e a cogliere l\u2019occasione per tornare a confrontarsi con il concept e le opere di <\/span>(Future) Paradise Gardens<\/span><\/i>.<\/span>\u00a0<\/span>\r\n\r\nLa giornata avr\u00e0 inizio <\/span>alle ore 11.00, presso Pilat<\/span><\/b> (raggiungibile solamente a piedi, in ca.40 min. partendo dal centro di Ortisei),<\/span> con un talk <\/span><\/b>a cui prenderanno parte l'architetto del paesaggio e artista della Biennale <\/span>Bas Smets<\/span><\/b> e l\u2019autore <\/span>Vartan Karapetian<\/span><\/b>, con la moderazione dell\u2019ex Ministra italiana della Cultura e attuale Presidente di Human Foundation, <\/span>Giovanna Melandri<\/span><\/b>. La tavola rotonda esplorer\u00e0 <\/span>il rapporto tra paesaggio, memoria, biodiversit\u00e0 e cambiamento climatico, <\/span><\/b>mettendo in dialogo pratiche artistiche, progettazione del paesaggio e patrimonio culturale per <\/span>riflettere sulle trasformazioni degli ecosistemi e sui modi di immaginare e preservare i luoghi che abitiamo.<\/span><\/b>\r\n\r\nL\u2019incontro sar\u00e0 un\u2019occasione per approfondire i temi al centro della ricerca di Smets e di <\/span>Degrees of Elevation<\/span><\/i>, l\u2019installazione presentata a Biennale Gherd\u00ebina dall\u2019artista insieme alla direttrice artistica Eliane Le Roux. Sviluppato appositamente per la sede di Pilat, il progetto indaga gli effetti del cambiamento climatico sul paesaggio alpino. <\/span>\r\n\r\nLa tavola rotonda ospiter\u00e0 inoltre la prima presentazione europea di <\/span>The English Park, An Ecology of Memory in Yerevan<\/span><\/i>, pubblicato da Armenian Arts Council Editions, alla presenza dell\u2019autore Vartan Karapetian. Il volume ripercorre la storia e il patrimonio culturale dell\u2019English Park di Yerevan e raccoglie contributi di Norbert Peeters, Aram Pachyan e Marine Haroyan. La pubblicazione \u00e8 realizzata in occasione della <\/span>United Nations Biodiversity Conference, <\/span><\/i>il principale appuntamento internazionale dedicato alla biodiversit\u00e0, che si terr\u00e0 a Yerevan dal 19 al 30 ottobre 2026.<\/span>\r\n\r\nIl talk avr\u00e0 una durata di circa 90 minuti. Per raggiungere il luogo dell\u2019evento, \u00e8 necessario partire a piedi da Ortisei e percorrere per circa 40 minuti il sentiero n. 15.<\/span>\u00a0<\/span>\r\n\r\nAlle ore 15:00, il pubblico \u00e8 invitato a partecipare gratuitamente all\u2019ultima visita guidata alle sedi espositive della Biennale a Ortisei<\/span><\/b>. La visita partir\u00e0 dall\u2019Info Point presso la Sala Trenker e avr\u00e0 una durata di circa 90 minuti.\u00a0<\/span>\u00a0<\/span>\r\n\r\nLa giornata si concluder\u00e0, <\/span>dalle 17:00 alle 19:00, presso l\u2019installazione <\/span><\/b>(Future) Paradise Gardens<\/span><\/i><\/b> in Plaza Stetteneck a Ortisei, con un\u2019azione performativa dedicata alla condivisione e alla continuit\u00e0 del giardino<\/span><\/b>. L\u2019architetta del paesaggio <\/span>Eva-Maria Schgaguler<\/span><\/b> guider\u00e0 il pubblico nella distribuzione e nell\u2019adozione delle piante che compongono l\u2019installazione, in cambio di una piccola donazione destinata a sostenere le attivit\u00e0 benefiche di <\/span>Vinzenzgemeinschaft<\/span><\/i> nella comunit\u00e0 gardenese. Un gesto simbolico di condivisione e cura che permetter\u00e0 alle piante di proseguire il loro percorso oltre la Biennale, prolungando la vita del giardino oltre la durata della mostra e trasformando il finissage in un momento di condivisione, cura e continuit\u00e0. In questo modo, i visitatori partecipanti diventano i custodi del futuro giardino del paradiso, incarnando concretamente il tema della Biennale Gherd\u00ebina 10 e contribuendo a trasformarlo in realt\u00e0.<\/span>\u00a0<\/span>\r\n

In occasione del finissage, <\/span>domenica 13 settembre 2026, l'ingresso a Biennale Gherd\u00ebina sar\u00e0 gratuito in tutte le sedi espositive. Sar\u00e0 inoltre gratuita la visita guidata delle ore 15.00<\/span><\/b> alle sedi espositive di Ortisei. Non \u00e8 necessaria la registrazione.<\/span>\u00a0<\/span><\/p>\r\n

\u00a0<\/span><\/p>\r\n\r\n\r\n

\r\n\r\n\u00a0<\/span>\r\n\r\nBas Smets<\/span><\/b> (1975, Hasselt, Belgio) vive e lavora tra Bruxelles e Parigi. \u00c8 fondatore dello studio di architettura del paesaggio Bureau Bas Smets e Professor in Practice alla Harvard Graduate School of Design. Nel suo lavoro spazia dai grandi parchi pubblici a centri storici, da infrastrutture paesaggistiche a set cinematografici. \u00c8 conosciuto per lo sviluppo di nuove ecologie urbane nelle quali la vegetazione, il terreno e l\u2019acqua generano microclimi che aumentano la resilienza dell\u2019ambiente urbano ai cambiamenti climatici. Al centro della sua pratica ci sono molte collaborazioni con ricercatori, ricercatrici, artisti e artiste. Alcuni progetti recenti sono il Parc des Atelier LUMA ad Arles, gli spazi pubblici intorno alla Cattedrale di Notre-Dames a Parigi, attualmente in costruzione, e <\/span>Building Biospheres<\/span><\/i> del padiglione belga della Biennale di Architettura di Venezia nel 2025, sviluppato assieme al neurobiologo Stefano Mancuso.<\/span>\u00a0<\/span>\r\n\r\nVartan Karapetian, <\/span><\/b>storico dell'arte e curatore, esplora nel suo lavoro le relazioni tra arte, paesaggio e memoria attraverso ricerche d'archivio, storia orale e progetti interdisciplinari. Tra le sue pubblicazioni pi\u00f9 recenti, <\/span>Haroutiun Galentz. The Form of Colour<\/span><\/i> (Skira), dedicato all'opera dell'artista armeno-libanese Haroutiun Galentz, e <\/span>The English Park. <\/span><\/i>An Ecology of Memory in Yerevan<\/span><\/i> (Armenian Arts Council Editions).<\/span>\r\n\r\nGiovanna Melandri<\/span><\/b> \u00e8 una manager culturale e gi\u00e0 Ministra della Cultura della Repubblica Italiana. Dal 2012 al 2022 \u00e8 stata Presidente della Fondazione MAXXI, contribuendo allo sviluppo internazionale del museo. \u00c8 fondatrice e presidente di Human Foundation, organizzazione impegnata nella promozione dell'innovazione sociale, della finanza a impatto e dello sviluppo sostenibile. Da anni opera all'intersezione tra cultura, politiche pubbliche e innovazione sociale, promuovendo il ruolo della cultura come motore di trasformazione della societ\u00e0.<\/span>\r\n\r\nEva-Maria Schgaguler<\/span><\/b> si interessa in particolare al rapporto tra le persone e il paesaggio culturale e naturale, nella sua dimensione storica e contemporanea. In linea con i principi della Convenzione Europea del Paesaggio, interpreta il carattere di ogni luogo come il risultato di un dialogo continuo tra fattori naturali e intervento umano. Dopo aver conseguito la laurea triennale in Architettura del Paesaggio presso l\u2019Universit\u00e0 di Genova, con una tesi dedicata alla conservazione dei giardini storici, ha iniziato la sua esperienza professionale presso BplusB ad Amsterdam, occupandosi di progetti urbani e di spazi pubblici. Ha quindi conseguito un Master in Architettura del Paesaggio presso l\u2019Edinburgh College of Art, sviluppando una tesi dedicata alla riqualificazione del Giardino della Hofburg di Bressanone. Successivamente ha collaborato con Dolar Landscape a Bressanone, dedicandosi alla pianificazione paesaggistica in scala comunale. Dal 2010 al 2016 ha fatto parte del team di Studio Vulkan a Zurigo, partecipando a numerosi progetti di paesaggio e pianificazione urbana. Tra il 2017 e il 2019 ha lavorato presso Sn\u00f8hetta Studio Innsbruck come project manager, seguendo, tra gli altri, il progetto dello Swarovski Orchard a Wattens. Dal 2016 lavora come architetta del paesaggio indipendente dal proprio studio a Siusi allo Sciliar, sviluppando progetti in Italia, Austria e Svizzera. Ogni progetto nasce dall\u2019ascolto attento del luogo e si sviluppa attraverso un processo capace di coniugare identit\u00e0, sostenibilit\u00e0 e qualit\u00e0 estetica, dando vita a spazi profondamente radicati nel loro contesto<\/span>.<\/span>\u00a0<\/span>","_it_post_name":"finissage-future-paradise-gardens","_it_post_excerpt":"","_it_post_title":"","_de_post_content":"Am Sonntag, den 13. September, beschlie\u00dft (<\/span>Future) Paradise Gardens<\/span><\/i>, die zehnte Ausgabe der Biennale Gherd\u00ebina, kuratiert von Samuel Leuenberger, mit einem besonderer Tag zum Thema Landschaft. Im Mittelpunkt stehen dabei nicht nur die klimatischen und \u00f6kologischen Dimensionen von Landschaft, sondern auch ihre kulturelle Bedeutung und ihr Potenzial, neue Formen der Verbundenheit innerhalb der Gemeinschaft zu f\u00f6rdern. Besucher*innen sind eingeladen, den Tag in Gr\u00f6den zu verbringen und dabei die Ideen und Kunstwerke, die im Zentrum von (<\/span>Future) Paradise Gardens <\/span><\/i>stehen, ein letztes Mal zu entdecken.<\/span>\u00a0<\/span>\r\n\r\nDer Tag beginnt um <\/span>11 Uhr in Pilat<\/span><\/b> (einem Ausstellungsort der Biennale Gherd\u00ebina 10, der nur zu Fu\u00df \u00fcber einen etwa 40-min\u00fctigen Weg vom Zentrum von St.Ulrich aus erreichbar ist) mit einem <\/span>Gespr\u00e4ch <\/span><\/b>mit Landschaftsarchitekt und Biennale-K\u00fcnstler <\/span>Bas Smets<\/span><\/b> und Autor <\/span>Vartan Karapetian<\/span><\/b>, moderiert von <\/span>Giovanna Melandri<\/span><\/b>, der ehemaligen italienischen Kulturministerin und derzeitigen Pr\u00e4sidentin der Human Foundation. Im Mittelpunkt des Gespr\u00e4chs stehen die <\/span>Beziehungen zwischen Landschaft, Erinnerung, Biodiversit\u00e4t und Klimawandel<\/span><\/b>. Dabei treten k\u00fcnstlerische Praktiken, Landschaftsarchitektur und kulturelles Erbe miteinander in Dialog, um zu untersuchen, <\/span>wie sich \u00d6kosysteme ver\u00e4ndern und wie wir uns die Orte, an denen wir leben, vorstellen, bewahren und f\u00fcr sie Sorge tragen k\u00f6nnen.<\/span><\/b>\r\n\r\nDas Gespr\u00e4ch bietet die Gelegenheit, die Ideen hinter Smets\u2019 Praxis und <\/span>Degrees of Elevation<\/span><\/i>, seiner in Zusammenarbeit mit der k\u00fcnstlerischen Leiterin Eliane Le Roux entstandenen Biennale-Installation, weiter zu vertiefen. Das speziell f\u00fcr den Ort Pilat entwickelte Projekt untersucht die Auswirkungen des Klimawandels auf die alpine Landschaft.<\/span>\u00a0<\/span>\r\n\r\nIm Rahmen des Gespr\u00e4chs wird <\/span>The English Park, An Ecology of Memory in Yerevan<\/span><\/i>, herausgegeben von Armenian Arts Council Editions, erstmals in Europa vorgestellt. Der Autor Vartan Karapetian wird anwesend sein. Das Buch vermittelt die Geschichte und das kulturelle Erbe des English Park in Yerevan und versammelt Beitr\u00e4ge von Norbert Peeters, Aram Pachyan und Marine Haroyan. Die Publikation wurde im Zusammenhang mit der Biodiversit\u00e4tskonferenz der Vereinten Nationen, dem wichtigsten internationalen Forum zum Thema Biodiversit\u00e4t, herausgegeben, die vom 19. bis 30. Oktober 2026 in Yerevan stattfinden wird.<\/span>\u00a0<\/span>\r\n\r\nDas Gespr\u00e4ch dauert voraussichtlich 90 Minuten. Besucher*innen m\u00fcssen den Veranstaltungsort zu Fu\u00df von St. Ulrich aus erreichen. Der Weg f\u00fchrt \u00fcber den Wanderweg Nr. 15 und dauert etwa 40 Minuten.<\/span>\u00a0<\/span>\r\n\r\nUm 15 Uhr sind Besucher*innen eingeladen, an der letzten und kostenlosen F\u00fchrung durch die Ausstellungsorte der Biennale im Ortszentrum von St.Ulrich teilzunehmen. <\/span><\/b>Die F\u00fchrung startet am Info-Point in der Sala Trenker und dauert etwa 90 Minuten.<\/span>\u00a0<\/span>\r\n\r\nDer Tag findet<\/span> seinen Abschluss bei der Installation <\/span><\/b>(Future) Paradise Gardens<\/span><\/i><\/b> auf der Piazza Stetteneck in St.Ulrich mit einer performativen Aktion <\/span><\/b>von <\/span>17 bis 19 Uhr, die sich mit dem Teilen, der Erneuerung und der Fortf\u00fchrung des Gartens<\/span><\/b> auseinandersetzt. Die Landschaftsarchitektin <\/span>Eva-Maria Schgaguler<\/span><\/b> l\u00e4dt die Besucher*innen ein, sich an der Verteilung und \u00dcbernahme der Pflanzen zu beteiligen, aus denen die von Gartenwelt Platter realisierte Installation besteht. Im Gegenzug wird um eine kleine Spende zur Unterst\u00fctzung der karitativen Aktivit\u00e4ten der Vinzenzgemeinschaft gebeten. Dieser symbolische Akt des Teilens und der F\u00fcrsorge gibt den Pflanzen ein Leben nach der Biennale, verl\u00e4ngert die Existenz des Gartens \u00fcber die Dauer der Ausstellung hinaus und macht die Finissage zu einem Moment der Kontinuit\u00e4t, der gemeinsamen F\u00fcrsorge und der Teilhabe. Auf diese Weise werden die Besucher*innen zu H\u00fcter*innen der Zukunft des Gartens, verleihen der zentralen Idee der Biennale <\/span>Gherd\u00ebina 10 einen konkreten Ausdruck und tragen sie weiter.<\/span>\u00a0<\/span>\r\n\r\nAnl\u00e4sslich der Finissage am Sonntag, 13. September 2026, ist der Eintritt zu allen Ausstellungsorten der Biennale Gherd\u00ebina kostenlos.<\/span><\/b> Auch die F\u00fchrung durch die Ausstellungsorte in St. Ulrich um 15 Uhr ist kostenlos. Eine Anmeldung ist nicht erforderlich.<\/span>\u00a0<\/span>\r\n\r\n \r\n\r\n
\r\n\r\n\u00a0<\/span>\r\n\r\nBas Smets<\/span><\/b> (1975, Hasselt, Belgien) lebt und arbeitet in Br\u00fcssel und Paris. Er ist Gr\u00fcnder des Landschaftsarchitekturb\u00fcros Bureau Bas Smets und Professor in Practice an der Harvard Graduate School of Design. Sein Wirken reicht von gro\u00dfen \u00f6ffentlichen Parks bis hin zu historischen Stadtzentren, von infrastrukturellen Landschaften bis zu Filmsets. Bekannt ist er f\u00fcr die Entwicklung neuer urbaner \u00d6kologien, in denen Vegetation, Boden und Wasser Mikroklimata erzeugen, die die Widerstandsf\u00e4higkeit der gebauten Umwelt gegen\u00fcber dem Klimawandel erh\u00f6hen. Die Zusammenarbeit mit Wissenschaftler*innen und K\u00fcnstler*innen steht im Zentrum seiner Praxis. Zu seinen j\u00fcngsten Projekten z\u00e4hlen der <\/span>LUMA Parc<\/span><\/i> des Ateliers in Arles, die \u00f6ffentlichen R\u00e4ume rund um die Kathedrale Notre-Dame in Paris, die derzeit im Bau sind, sowie <\/span>Building Biospheres<\/span><\/i> f\u00fcr den belgischen Pavillon auf der Architekturbiennale Venedig 2025, das in Zusammenarbeit mit dem Neurobiologen Stefano Mancuso entwickelt wurde.<\/span>\u00a0<\/span>\r\n\r\nVartan Karapetian<\/span><\/b>, <\/span>Kunsthistoriker und Kurator, besch\u00e4ftigt sich mit den Schnittstellen von Kunst, Landschaft und Erinnerung anhand von Archivforschung, Oral History und interdisziplin\u00e4ren Projekten. Zu seinen j\u00fcngsten Publikationen z\u00e4hlen <\/span>Haroutiun Galentz. The Form of Colour<\/span><\/i> (Skira), eine Publikation \u00fcber das Werk des armenisch-libanesischen K\u00fcnstlers Haroutiun Galentz, sowie <\/span>The English Park. An Ecology of Memory in Yerevan<\/span><\/i> (Armenian Arts Council Editions).<\/span>\u00a0<\/span>\r\n\r\nGiovanna Melandri<\/span><\/b> ist Kulturmanagerin und ehemalige italienische Kulturministerin. Von 2012 bis 2022 war sie Pr\u00e4sidentin der Fondazione MAXXI, wo sie ma\u00dfgeblich dazu beitrug, das internationale Profil der Institution zu st\u00e4rken. Sie ist Gr\u00fcnderin und Pr\u00e4sidentin der <\/span>Human Foundation, <\/span><\/i>einer Organisation, die sich der F\u00f6rderung sozialer Innovation, wirkungsorientierter Investitionen und nachhaltiger Entwicklung widmet. Ihre Arbeit bewegt sich an der Schnittstelle von Kultur, \u00f6ffentlicher Politik und sozialer Innovation und ist seit Langem der \u00dcberzeugung, dass Kultur ein Motor f\u00fcr gesellschaftlichen Wandel sein kann.<\/span>\u00a0<\/span>\r\n\r\nEva-Maria Schgaguler <\/span><\/b>besch\u00e4ftigt sich insbesondere mit Menschen und ihrer Beziehung zur Kultur- und Naturlandschaft in Vergangenheit und Gegenwart. Im Sinne der europ\u00e4ischen Landschaftskonvention versteht sie den Charakter eines Ortes als Ergebnis eines fortlaufenden Dialogs zwischen nat\u00fcrlichen Faktoren und menschlichem Eingreifen. Nach ihrem Bachelorstudium der Landschaftsarchitektur an der Universit\u00e4t Genua, dessen Abschlussarbeit sich mit der Erhaltung historischer G\u00e4rten befasste, arbeitete sie bei BplusB in Amsterdam an Projekten im Bereich Stadt- und \u00f6ffentlichen Raum. Anschlie\u00dfend absolvierte sie ein Masterstudium der Landschaftsarchitektur am Edinburgh College of Art, wo sie sich in ihrer Abschlussarbeit mit der Neugestaltung des Hofgartens in Brixen besch\u00e4ftigte. Nach ihrem Masterabschluss arbeitete sie mit Dolar Landscape in Brixen zusammen und war dort im Bereich der Landschaftsplanung auf kommunaler Ebene t\u00e4tig. Von 2010 bis 2016 war sie Teil des Teams von Studio Vulkan in Z\u00fcrich und arbeitete an verschiedenen Projekten der Landschafts- und Stadtplanung mit. Zwischen 2017 und 2019 war sie als Projektmanagerin bei Sn\u00f8hetta Studio Innsbruck t\u00e4tig und betreute unter anderem das Projekt Swarovski Orchard in Wattens. Seit 2016 arbeitet sie als selbstst\u00e4ndige Landschaftsarchitektin mit eigenem B\u00fcro in Seis am Schlern und entwickelt Projekte in Italien, \u00d6sterreich und der Schweiz. Jedes Projekt beginnt mit dem Zuh\u00f6ren und Beobachten des Ortes und entwickelt sich zu R\u00e4umen, die Identit\u00e4t, Nachhaltigkeit und \u00e4sthetische Qualit\u00e4t miteinander verbinden.<\/span>\u00a0<\/span>","_de_post_name":"finissage-future-paradise-gardens","_de_post_excerpt":"","_de_post_title":"","_ld_post_content":"Dum\u00ebnia 13 de set\u00ebmber, n ucajion dla finissage de <\/span>(Future) Paradise Gardens, <\/span><\/i>la diejejima edizion dla Bienela Gherd\u00ebina cureda da Samuel Leuenberger, stlujer\u00e0 ju cun n di dedic\u00e0 al paesaje, si dimenscion culturela y tlimatica y per si capazit\u00e0 de purt\u00e9 a lum formes nueves che se met n relazion ala comunit\u00e0. I vijitad\u00ebures ie nviei de pass\u00e9 duta la dum\u00ebnia te Gherd\u00ebina tulan l'ucajion de se cunfrunt\u00e9 in\u00f2 cun l cunzet y i l\u00ebures de (Futur) Paradise Gardens.<\/span>\r\n\r\nL di scum\u00ebncia <\/span>dala 11.00 sa Pilat<\/span><\/b>, (ulache n ruva su m\u00e9 a pe, te 40 menuc, pian via dal z\u00ebnter de Urtij\u00ebi) cun n talk ulache l fajer\u00e0 pea l architet dl paesaje y artista dla Bienela <\/span>Bas Smets<\/span><\/b> y l aut\u00ebur <\/span>Vartan Karapetian<\/span><\/b>, cun la muderazion dla ex Ministra per la Cultura taliana y presid\u00ebnta atuela dla Human Foundation, <\/span>Giovanna Melandr<\/span><\/b>i. La m\u00ebisa turonda esplurer\u00e0 <\/span>l raport danter paesaje, memoria, biodiversit\u00e0 y l mudam\u00ebnt tlimatich<\/span><\/b>, fajan n dialogh danter pratiches artistiches, proietazion dla cuntredes y patrimone culturel, <\/span>per pens\u00e9 do sun la trasfurmazions di ecosistems y sun la manieres de se nmagin\u00e9 y stravard\u00e9 i luesc ulache n\u00ebus vivon.<\/span><\/b>\u00a0<\/span>\r\n\r\nL'ancunteda sar\u00e0 na ucajion per j\u00ec plu sot tla tematiches dla nrescida de Smets y <\/span>Degrees of Elevation<\/span><\/i>, la nstalazion che ie da ud\u00ebi ala Bienela Gherd\u00ebina. L proiet ie un\u00ec svilup\u00e0 dal dl'artist deberieda ala diret\u00ebura artistica Eliane Le Roux, aposta per l raion sa Pilat per nresc\u00ec la fazions dl mudam\u00ebnt tlimatich tla Elpes.<\/span>\u00a0<\/span>\r\n\r\nPra la m\u00ebisa turonda saral nce la prima prejentazion a livel europeich de T<\/span>he English Park, An Ecology of Memory<\/span><\/i> in Yerevan, publicheda da Armenian Arts Council Editions, cun la prej\u00ebnza dl aut\u00ebur Vartan Karapetian. L liber tol tres la storia y l patrimone culturel dl English Park de Yerevan tulan ite cuntribuc de Norbert Peeters, Aram Pachyan y Marina Haroyan. La publicazion ie stata fata n ucajion dla <\/span>United Nations Biodiversity Conference<\/span><\/i>, l ancunteda nternaziunela dedicheda ala biodiversit\u00e0, che sar\u00e0 a Yerevan dai 19 ai 30 de utober 2026.<\/span>\u00a0<\/span>\r\n\r\nL talk durer\u00e0 plu o manco 90 menuc. Per ruv\u00e9 pra la manifestazion muessen pi\u00eb via a pe da Urtij\u00ebi demez tulan l troi nr. 15, per ca. 40 menuc.<\/span>\u00a0<\/span>\r\n\r\nDala 15:00 00, l publich ie nvi\u00e0 a f\u00e9 pea debant pra l'ultima vijita meneda tla s\u00ebntes de espusizion dla Bienela a Urtij\u00ebi.<\/span><\/b> La vijita scumencer\u00e0 dal Info Point tla Sala Trenker y durer\u00e0 plu o manco 90 menuc.<\/span>\u00a0<\/span>\r\n\r\nL di se stlujer\u00e0 ju, <\/span>dala 17:00 ala 19: 00, pra la nstalazion<\/span><\/b> (Future) Paradise Gardens <\/span><\/i><\/b>sun Plaza Stetteneck a Urtij\u00ebi, cun na azion performativa dedicheda ala cundivijion y ala cuntinuit\u00e0 dl verzon.<\/span><\/b> L'architeta de paesaje <\/span>Eva-Maria Schgaguler<\/span><\/b> mener\u00e0 l publich tres la plantes dla nstalazion ora ti dajan pea una, se damandan da pert dl publich na pitla dunfierta per susten\u00ec l\u2019ativiteies dla <\/span>Vinzenzgemeinschaft<\/span><\/i> de Gherd\u00ebina. N gest simbolich de cundivijion y de cura che ti lascer\u00e0 pro ala plantes de j\u00ec inant sun si streda nce do la Bienela, trasfurman la nstalazion te na r\u00eb sterscia de relazions y respunsablteies. A ch\u00ebsta maniera dev\u00ebnta i vijitad\u00ebures che fej pea, i vardians dl daun\u00ec dl verzon dl paravis, persunifican la tematica dla Bienela Gherd\u00ebina 10, judan a ch\u00ebsta maniera dla trasfurm\u00e9 te realt\u00e0.<\/span>\u00a0<\/span>\r\n\r\nDuc i apuntam\u00ebnc dl di dla finissage, la ntredes ala sales dla mostres y ala vijita meneda che ie dala 15:00, ai 13 de set\u00ebmber, ie debant. L ne v\u00ebn nia damand\u00e0 prenotazion.<\/span>\u00a0<\/span>\r\n\r\n\u00a0<\/span>\r\n\r\n
\r\n\r\n\u00a0<\/span>Bas Smets<\/span><\/b> (1975, Hasselt, Belgio) <\/span>viv y l\u00ebura danter Bruxelles y Paris. Bas ie l fundad\u00ebur dl studio de architetura dl paesaje Bureau Bas Smets y prufess\u00ebur tla Harvard Graduate School of Design. Si l\u00ebur va dai gran parcs publics nchin a z\u00ebntri storics, da nfrastrutures dl paesaje nchin a set cinematografics. L ie cunesci\u00f9 per av\u00ebi svilup\u00e0 ecologies urbanes nueves ulache la vegetazion, l fonz y l'ega fej nascer microclims che auza la resilienza dl ambient urban al mudam\u00ebnt dl tlima. Tl z\u00ebnter de si pratica iel truepa cunlaurazions cun scienziac y scienziates, artis\u0107 y artistes. N valgun proiec fai da perm\u00f2, ie l Parc des Atelier LUMA a Arles, la lueges publiches nt\u00ebur la Catedrela de Notre- Dames a Paris, che ie al mum\u00ebnt tl l\u00ebur de un\u00ec frabic\u00e0, y <\/span>Building Biospheres<\/span><\/i> dl padilion belga dla Bienela d'architetura de Unieja dl 2025 che ie stat svilup\u00e0 deberieda al neurobiologh Stefano Mancuso.<\/span>\r\n\u00a0<\/span>\r\n\r\nVartan Karapetian, <\/span><\/b>storich d'ert y curad\u00ebur, nriej te si l\u00ebur la relazions danter ert, paesaje y memoria tres nrescides de archif, stories che ven cuntedes y proiec nterdisziplineres. Danter si ultima publicazions abinons, Haroutiun Galentz. The Form of Color (Skira), dedic\u00e0 al'opra dl artist armenian-libanesc <\/span>Haroutiun Galent<\/span><\/i>z, y <\/span>The English Park. An Ecology of Memory<\/span><\/i> in Yerevan (Armenian Arts Council Editions). <\/span>\r\n\u00a0<\/span>\r\n\r\nGiovanna Melandri<\/span><\/b> ie na manager y ex Minister dla Cultura dla Republica Taliana. Dal 2012 al 2022 iela stata presid\u00ebnta dla Fundazion MAXXI, dajan n cuntribut al svilup nternaziunel dl museum. \u00cbila ie fundad\u00ebura y presid\u00ebnta dla Human Foundation, na urganisazion che se d\u00e0 ju cun la prumozion dl'inuvazion soziela, dla finanza a mpat y dl svilup sustenibl. Bel da ani inc\u00e0 l\u00eburela pra la nterazion danter cultura, politica publica y inuvazion soziela, purtan inant la pert dla cultura coche motor de trasfurmazion dla soziet\u00e0.<\/span>\r\n\r\nEva-Maria Schgaguler<\/span><\/b> se nteressea dantaldut al raport danter la persones y l paesaje culturel y naturel, te si dimenscion storica y cuntemporana. Spartian i prinzips dla Cunvenzion europeica dl paesaje, nterpretea \u00ebila l carater de uni luech sciche n resultat de n dialogh danter fatores naturei y nterv\u00ebnc fai dala persones. Do av\u00ebi fat la laurea de tr\u00ebi ani de architetura dl paesaje tl'Universit\u00e0 de Genova, cun na tesi dedicheda ala scunanza di verzons storics, ala scumenci\u00e0 si esperienza prufesciunela tla BplusB a Amsterdam, se dajan ju cun proiec de zit\u00e0 y de lueges publiches. La \u00e0 nscila fat n master de architetura dl paesaje tl College of Art de Edinburgh, lauran ora na tesi n con' di verzons dla Hofburg de Persenon. Dald\u00f2 ala laur\u00e0 adum cun Dolar Landscape a Persenon, se dajan ju cun la planificazion dl paesaje a livel cumunel. Dal 2010 al 2016 ala fat pert ala grupa de Studio Vulkan a Zurigo, fajan pea pra truep proiec de paesaje y pianificazions urbanistiches. Danter l 2017 y l 2019 ala laur\u00e0 tla Sn\u00f8hetta Studio a Dispruch coche project managerin, ti jan do, danter l auter, al proiet dl Swarovski Orchard a Wattens. Dal 2016 inc\u00e0 l\u00eburela coche architeta dl paesaje te si studio a S\u00ebuc dal Scilier, lauran ora proiec tla Talia, tl'Austria y tla Svizra. Uni proiet nasc do av\u00ebi scut\u00e0 su avisa l luech, se svilupan tres n pruzes che ie bon de m\u00ebter adum identit\u00e0, susteniblt\u00e0 y cualit\u00e0 estetica, ti dajan vita a sperses che ie scialdi nravisedes te si cuntest.<\/span>\u00a0<\/span>","_ld_post_name":"finissage-future-paradise-gardens","_ld_post_excerpt":"","_ld_post_title":"","edit_language":"ld","footnotes":""},"categories":[1],"tags":[],"class_list":["post-4065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/posts\/4065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/comments?post=4065"}],"version-history":[{"count":6,"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/posts\/4065\/revisions"}],"predecessor-version":[{"id":4071,"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/posts\/4065\/revisions\/4071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/media\/4072"}],"wp:attachment":[{"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/media?parent=4065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/categories?post=4065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.biennalegherdeina.org\/ld\/wp-json\/wp\/v2\/tags?post=4065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}